Got Laid

My new online friend Walter recently posted about his basically traumatic “coming out” experience and made me realize that I had sunken that piece of my history in my novel and memoir, which so few folks will ever read. So I’m going to follow his suit and give you the following brief narrative of my deflowering.

GOT LAID

            In the upside down year of 1961, there I was:  19 years young and a student at wonderful Tulane University in incredible New Orleans, but—to my immense regret—with my cherry still intact.  In fact, my cherry was not only intact but immaculate and overly ripe.  I was getting sick and tired of the whole boring condition.

During my freshman year I’d gotten to know a guy down the hall in my dorm.  David was a good-looking blond kid from Houston, who let me in on the secret that he was “gay” and introduced me to his lover Paul, a florist.  Once they invited me to dinner at Paul’s apartment in the Garden District along with some other gay guys.  They all seemed so normal except for calling each other ‘dear’ and ‘sweetheart’ a lot.

The concept of two guys loving each other was utterly new to me, though not particularly disturbing.  Telling myself to be open-minded about it, I recalled the confusing love I’d felt for my best friend in high school.  After the party, reasoning it through as logically as I could, I came to the inescapable conclusion that I too must be gay.  Suddenly I appreciated all the cute guys around campus with different eyes.

After some months of waiting impatiently for true love to find me, my newly awakened longings soon became torments. Soon, I told myself, soon I will meet a beautiful boy, fall in love, and kiss him. The fantasy played like a rock and roll romance.  Many were the imagined scenarios I spun around naked guys in the showers and infatuations with angelic classmates, but all spring semester and into summer school, no beautiful boy ever showed up to love me.

One Wednesday evening late in sweltering June, I went with my roommate Roger and a couple other dorm guys to see Ingmar Bergman’s movie “Virgin Spring.”  It was traumatic for a sensitive college student like me, and the brutal images of the rape of that young girl haunted me on the sidewalk back to our dorm.  My friends were all quiet too.  Riding up in the elevator with them, I finally decided emphatically that I didn’t want to be a virgin anymore.

Once back in our double dorm room, Roger immediately went about his mathematical studies, which consisted of playing solitaire.  I showered, shaved, and put on my green corduroy jeans and fancy blue nylon shirt.  This was as fashionable as a country boy could manage.  Without looking up from his cards, Roger asked, “Got a date?”

“Maybe,” I replied mysteriously and left.

I already knew where to meet somebody.  David and Paul had once taken me into the wicked French Quarter to a dark little bar on St. Peter St. called the Gaslight Inn.  (One of the most marvelous things about New Orleans back then was that the legal drinking age was 18!)  So I hopped on the Freret bus to Canal Street, intent on finding a guy to cure my acute virginity problem.  Walking into the Quarter down noisy Bourbon Street through the jostling crowds and ignoring brief glimpses of bare, gyrating dancers in the strip joints, I felt my whole world turning upside down.  I was stepping off into the unknown, and it was exhilarating.

The Gaslight Inn was nestled right next door to the bustling collegiate bar Pat O’Brien’s.  When there before with David and Paul, I was nervous at first, but it turned out to be not at all intimidating.  The strangest thing had been a Hawaiian boy called Pineapple, who looked and talked just like a girl.  After a moment’s trepidation, I walked alone into the bar.

It was dark and full of smoke with men milling about.  No Pineapple.  How very dashing I felt walking right up to the bar and ordering a vodka and tonic.  Without looking directly at anyone, I took my drink over to a stool along the wall under the window—with no idea of what to do next.  Even though I was a nice looking kid with a good build and big blue eyes, no one seemed to be paying any attention to me.

Maybe I should just watch for someone attractive, I reasoned, and go up and introduce myself. No, that’s too forward—and too embarrassing.  It’s not very easy to see anyone in the dimness anyway.  By the time I’d finished my drink, my courage was definitely flagging, and I thought sadly of heading on back home to the dorm.

“Need another drink?” a voice asked from my blind side.  I turned to find a young man in the shadows, smiling at me.  “What was it?” the fellow asked, taking my glass.

“Vodka and tonic,” I managed to remember.  He went off to the bar before I could really make out what he looked like. Probably just a waiter pushing drinks, I figured.

Soon he returned with a drink in each hand.  Apparently he wasn’t a waiter.  Now I could see that he was pleasantly good looking, with dark hair in a crew cut.  After a polite thanks for the drink, I hadn’t a clue what to say.

In my silence, he said, “My name is Harry.”

Actually, I hadn’t thought about having to identify myself.  Not to give out my name in a gay bar, I lied, “I’m Roger.”  Meanwhile, I looked Harry over some more:  fairly tall, grey-green eyes, older—at least in his mid-20’s.  My next lie was that I was visiting my aunt here in New Orleans and lived out in the woods in Mississippi.  With that basic adjustment, I told him about things from back when I was a kid in Arkansas.  Harry told me he worked in an insurance office and used to live in Pensacola on the beach.

At his insistence, we each had another drink.  I was already feeling a buzz.  We engaged in further pleasant conversation, but it didn’t look to me like Harry was interested in me romantically.  And while I liked his company, there wasn’t that crazy kind of desire I’d felt for certain gorgeous guys at school.  I started to feel a little put out.  All this talking had kept me from watching out for a pretty boy.  I began to have more disconsolate thoughts about going home. Can’t catch a fish every time you go fishing.

Then Harry asked, “Can I take you home with me, Roger?”

Taken aback by the strange name and surprised to have come so suddenly upon this Rubicon, I forced back the fear and said, “Yeah, that would be nice.”

“Then let’s go!” Harry left his half-finished drink on the windowsill and pulled me by the hand.  I followed him out the door onto crowded St. Peter, not even checking if anybody at Pat O’Brien’s might have seen me coming out of that shady little place.

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            Amidst the slumber of the late-night city, all was quiet, candlelit amber and cool in Harry’s apartment at the Claiborne Towers.  The room was full of plants with only a low light in one corner.  I lay naked on the sheets beside Harry, by no means asleep.  He was definitely dozing, draped over my arm.  I couldn’t fall asleep because I felt I really had to go home to the dorm—it must have been 3 or 4 o’clock, but I had no desire to move.  The warmth of Harry touching my shoulder and thigh was so new and delicious.  Finally, I’d tasted a man’s body, smelled his cinnamon fragrance, and it was far better than I could ever have imagined.

It had been nothing at all like the struggle and violence in that disturbing movie.  Funny how easy everything was when I’d worried so much about what to do.  Like a bumpkin at a banquet, I’d simply done whatever Harry did—which meant a lot of incredible caresses on tender, secret places I’d never touched before.  All that symmetry naturally led to the infamous sixty-nine position.  I must have done it right because we came together, and I didn’t even choke.  Stunning, the sheer reality of sucking on a guy’s cock.

I was glad, too, that there hadn’t been any kissing. Kissing is something for being in love, I figured, and all this with Harry was simply sex.  Still, he’d been tender, and so I was too.  Now I felt so amazingly happy having this wonderful connection with another guy and holding him close.  After a bit, Harry awoke, and I said, “I’ve got to go home.  My aunt expects me back.”

Harry didn’t protest, probably used to strange boys leaving in the night.  I got up on the window side of the bed.  The man still lay there, lithe in the shadows and amber light, the plants vague, soft masses of light and dark around him.  There was a tiny glint in his eye as I stood there naked—oddly without shyness.  “Roger, you sure are hot!” he sighed.

Embarrassed by his compliment, I dressed while Harry watched me from the bed with appreciative smiles.  I wondered about telling him that this was my very first time.  Tying my second shoe, I decided not to. Better just a pleasant goodbye, I decided, and drift out into the night like all the other boys who must have been hot in his bed before me.

While Harry still lay there naked, I gave him a friendly handshake and let myself out the door.  Out in the hallway, I chortled to myself, Well, that was that—another virginity nicely disposed of in the Claiborne Towers.

After Harry’s great air-conditioning, outside on the street the New Orleans night startled me with its sultriness.  On the empty early-morning bus I dozed contentedly in the heat until my stop at school.  Only when stumbling down McAlister Drive did the full import of it strike me right between the eyes with a blow of wonder and happiness. No longer a virgin! I rejoiced.  That painful, troublesome barrier is now behind me!”

As I tiptoed into our dorm room, the real Roger rolled over on his side in his narrow bed, waking enough to mumble, “What you been doing?”

Walking out of my clothes on the way from the door, I answered, “Got laid.”  Then I crawled into the sack, and there wasn’t another peep from the miserable virgin.

I never saw Harry again, nor did I ever go back to the Gaslight Inn—largely because it closed down soon after.  Instead I went out to Dixie’s Bar of Music on the opposite corner of Bourbon and St. Peter or hung out in the Latin and Greek sailor dives on Decatur Street, where my carousing was a depraved combination of Fellini’s movie “La Dolce Vita” and the novels of Jean Genet.

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Aztec Icon #15 – QUIAHUITL, God of Rain

I’ve just checked the date when I posted Icon #14, Quetzalcoatl, for my serialized coloring book YE GODS! and must hang my head in shame that it’s taken me nearly six months to finish Icon #15, Quiahuitl, God of Rain. I understand that nobody out there has been waiting with baited breath to see my latest work of genius, but I managed to draw the earlier deities much more quickly, 14 of them in 3 ½ years.  My excuses are that this past winter I spent a lot of time on my second memoir, and for what it’s worth, this icon turned out to be just about as detailed as Icon #11, Ocelotl (Jaguar).  There’s a lot going on in it.

Quiahuitl, God of Rain

This icon is available as 8X10 with a caption/sources page by clicking here.

In the central image, Quiahuitl {kee-a-hweetł} is shown emerging from the Underworld, rising up out of the maw of the Earth Monster.  The Aztecs understood that moisture mysteriously rises from the earth to the sky (the crest across the top), where the god turns it into rain.  Every locale had its own Quiahuitl to conjure and appease, as indicated by drops falling on trees which symbolize the cardinal directions.

Quiahuitl is of crucial importance to the cultivation of maize, and the lower panel is a homage to that crop. In the center, the plant grows out of another Earth Monster, and on it perches a mythical bird, which is actually a motif inherited from the ancient Maya, Itzamnaaj—the Bird of the Sun.  Just above it is another nod to the Maya, the head of a centipede which they saw as the face of the Underworld.  On the left is Chicomecoatl (Seven Snake), chief of the several goddesses of maize, and on the right is Centeotl, the main god of maize.

But that’s not all. The four big dots indicate that the god is also a day-sign in the ritual calendar, Four Rain (Nahui Quiahuitl).  You’ve already seen the same thing in the icons of Four Water, Four Wind, and Four Jaguar.  I haven’t yet made it alphabetically to the god Tonatiuh and Four Earthquake, the Fifth Sun, our current era.

Anyway, Four Rain is the day-name of the earlier Third Sun (era), a paradise ruled by the Storm God Tlaloc. However, when Tezcatlipoca abducted his wife Xochiquetzal, Tlaloc destroyed that world in a rain of fire.  Its poor humans were turned into butterflies, birds, dogs, and turkeys—which I rather doubt was a great deal of help in the rain of fire.

As I said before, there’s a lot going on in this icon, and there were times I wondered if I was ever going to complete it. Besides, all these past months we’ve been suffering severe drought, and I started to fear it was because I hadn’t finished the god’s icon.  Well, I finally did it last night—and it still hasn’t rained!  I’ve done what I could…

This morning I fired #15 off to my digital wizard in Bangladesh to be turned into a vector drawing, which will be added to the coloring book page.  Then it will follow the other 14 to my print shop. At Santa Fe Signs & Images, they’re being printed on 3’ x 4’ vinyl banners for my upcoming exhibition.

NEWS FLASH!

I’ve recently arranged to have a show of my coloring book pages to be called YE GODS! Icons of Aztec Deities.  It will be at El Museo Cultural de Santa Fe, opening June 1, 2018 and running through July 29.  There’s much to be done in preparation, of course, and I’ve at least gotten calendar listings out to the media.

Now come the million details, and I seriously doubt that I’ll even get started on Icon #16, Tecciztecatl, God of the Moon, till later in the summer. According to the original project plan, I’ve still got 11 icons to go, which at this rate will take a minimum of three more years, maybe four.  What the hell!  I’ll only be 80!

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Ancestors, Level 1, My Parents

To explain: I’ve just enjoyed a new contact with a young man in Miami about my image of the Aztec deity Xochipilli, who appears (above) on the masthead of my webpages and blogs. As the god of homosexuals (and a whole lot more), the Prince of Flowers has long been my patron. Unfortunately, he sits down by the end of the alphabet (with the other x’s), and it’ll be a couple years till I get around to doing his icon for my coloring book YE GODS!

My new friend Walter identifies as a pagan and practitioner of the Unnamed Path, which sounds quite like mine, though I didn’t think to name my path. We’re both on the beautiful paths (as the Navajo would say, walking in beauty) for men who love men. You can find Walter on his splendid path at http://sacredbonfire.com.  Meanwhile, as a headline on his emails, he includes, “The ancestors are speaking. Are you listening?”

Struck by that profound question, I realized that for a long time that I’ve been dancing around the urge to blog about my ancestors. So far I haven’t written much about them, except in that biography: “Ms Yvonne, The Secret Life of My Mother.” I was too focused on my own terribly fascinating self to pay any attention to the sources of my miraculous being.

Understandably, in researching the biography, I learned a great deal about my parents, as well as about my roots in the generations before them. In that writing, I organized the boxes of old family photographs and in the process quickly became an expert photo-restorer. The art is very like painting, just as aesthetically fulfilling, and playing with pixels to reconstruct an ancestor’s face creates intense emotional connections with the subject, let me tell you. Suffice it to say, I now have plenty photo-paintings to illustrate blogs about several levels of my ancestry.

Naturally, we’ll start at level 1 with my parents, who were people I’d never really known before that research and restoration of their images. I was simply a kid, and they were folks who took care of me. There was no discussion of who they were then or in their pasts, and the oblivious child never even wondered, too busy wondering who I was.

My mother, Yvonne Marie Trinité, was born on January 18, 1919 in Baltimore, Maryland. I discovered that she was quite a fashionable young woman in the thirties who led a nicely sociable life with a number of boyfriends. When she was nineteen, in 1938, a beau took her boating on the Chesapeake and snapped a tiny shot of a virtual goddess of the sea. Retrieving it from a miniature print (1 sq. in) in a foggy blur, I’ve put it up on my refrigerator where I can thank her every morning for solving my life.

Yvonne by the sea, 1938

Meanwhile, over in Wisconsin my future father, Raymond John Balthazor, was born on January 30, 1916 in the village of Bear Creek, and the family soon moved to the big city of Fond du Lac. In school he came down with scarlet fever, an often fatal disease from which he recovered—but with a damaged heart. In 1939, after taking courses at a business college, Ray landed a job with Social Security in Baltimore and had a (retouched) portrait taken for the announcement in the Fond du Lac newspaper. He was a good-looking young man of twenty-three.

Ray, 1939

That’s why Ray and Yvonne met, but further details of their romance are unavailable. They were married on Wednesday, June 19, 1940, both dressed up in the high style of the period:

Wedding of Yvonne and Ray, 1940

True to form, kids came along, first me in 1942 and then my sister Judy in 1947. In 1952 the family moved to LaMarque, Texas for Daddy’s job as a tax accountant in a chemical plant. When we’d moved into our new house, a neighbor took a picture of us for posterity. Notice that at 36 Daddy was already going grey:

The Balthazors in LaMarque, 1952

For two years in Texas we had a fairly normal nuclear family life, but then in 1954 Daddy took us off into the woods of Arkansas to a truck-stop café on Highway 74. Thereafter, our familial relations essentially disintegrated, but that’s another story I’ve reflected in my autobiographical novella “Bat in a Whirlwind.” After I left home for college at eighteen in 1960, Daddy only lived another six years, dying of heart problems at only 50.

In 1971, after five years of widowhood, at 52 Mother married a Texan named Bill Tapp, but only a year later was abandoned by that husband. Afterward, she enjoyed single life in New Orleans for another 42 years, her favorite activity being square-dancing. Yvonne’s really big adventure was surviving Hurricane Katrina in 2005. She kept on square-dancing right up to 93, as in this 2011 snapshot by a dancer friend when she was 92. In early 2013 Yvonne died peacefully at 94.

Yvonne at 92, 2011

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