Aztec Lords of the Night

After finishing Icon #19 for my coloring book, and before jumping on the next one, I’ve been plugging along on another Aztec project, this one in color! Some time ago I decided to “re-create” the calendar from 16th-century Codex Rios, apparently a slightly later Italian copy of the Codex Telleriano-Remensis. Both of them offer fairly crude versions of deities and day-signs, with Rios tending to be at least a little more “artistic,” and both present the ceremonial count of days in disjointed pieces. So my re-creation will also be a re-construction.

In Codices Borgia and Vaticanus, the 13-day week (trecena) is laid out simply with ruling deities and the day-count. In Codex Borbonicus and Tonalamatl Aubin, the Lords of the Day and Night are included, but hard to differentiate, as well as their totem birds, mostly of dubious species.

Codices Rios and Telleriano-Remensis accompany the day-count and patron deities only with the nine Lords of the Night in a super-cycle that takes some centuries to complete. In sequence, the Lords of the Night preside over the nights of each calendar day and at the same time, in sequence, they preside over each of the nine hours of those nights.

Forgive me for saying this, but in these two related calendars, the images of the Lords are really sloppy, even slap-dash, though the deities are drawn with consistent, if careless, motifs. It would be rude to show you the original images of those abused Lords of the Night. Instead, refining their iconographic details, I’ve re-created them with more realistic faces in the style of Codices Fejervary-Mayer and/or Laud.

You can check them all out in greater detail in my Aztec pantheon, but here are some artist’s notes on these Lords of the Night.

1st Lord: Xiuhtecuhtli—Lord of the Turquoise/(Fire). Perhaps he has a red mouth from eating fire? The peaked headdress and red ribbon are standard emblems.

2nd Lord: Itztli—Obsidian. He’s a nagual (manifestation) of Tezcatlipoca, the Smoking Mirror. Again, I don’t know what the standard black markings on his face signify, but those things in his “hat” are sacrificial flint knives.

3rd Lord: Pilzintecuhtli—Young Lord. God of the planet Mercury, he is also a “sun-lord” as shown by the sun in his headdress. I can’t explain his golden hair, but all the Lords’ hair-colors are inexplicably the same as these in the earlier, purely Mexican codex.

4th Lord: Centeotl—God of Maize. Check out the cobs of maize in his headdress.

5th Lord: Mictlantecuhtli—Lord of the Land of the Dead. In this most appealing image I’ve ever found of the death-god, the black lower face is standard. (The pointy thing in the headdress is reminiscent of the regalia of the god Itztlacoliuhqui.)

6th Lord: Chalchiuhtlicue—Jade Skirt. She’s the ancestral Great Goddess from ancient Teotihuacan.

7th Lord: Tlazolteotl—Goddess of Filth. Her mouth is black from eating people’s filth/sins. I can’t identify the tasseled objects in her headdress.

8th Lord: Tepeyollotl—Heart of the Mountain. His tri-color face (and yellow hair) are standard features for this god in these calendars.

9th Lord: Tlaloc—God of Storms. His goggle-eyed, long-toothed visage is emblematic in most codex contexts.

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More Aztec Whoopee

Here we go again! My informational art exhibit YE GODS! ICONS OF AZTEC DEITIES will show for the fourth time at NEW MEXICO HIGHLANDS UNIVERSITY in beautiful Las Vegas NM from September 30 to November 2, 2019 at BURRIS HALL GALLERY, 903 National Avenue.

In 2018 the first 15 icons showed at El Museo Cultural de Santa Fe and at Northern New Mexico College in Española, and in 2019, with the addition of #16 (TECCIZTECATL & METZTLI, Deities of the Moon), they were displayed at Santa Fe Community College. This iteration at NMHU will include another new icon, #17:  TEPEYOLLOTL, Heart of the Mountain, the god of caves, volcanoes, and a bunch of other neat stuff.

Currently working on the next icon for the coloring book, #18: XOCHIPILLI, Prince of Flowers, I’ve broken out of my alphabetical sequence to manifest the splendid deity that I consider my personal patron (appearing above in my website banner).  I’m also breaking several Aztec iconographic conventions for this one, not the least of which is running wild with floral motifs.  One of my favorite details is a tiny Aztec bee:

Aztec Bee

You’ll just have to wait a while to see the rest of this literally iconoclastic icon.

Along with the NMHU show, I’ll give a slide lecture on the Aztec Codices for their Art in the Americas class and a gallery talk for their Día de los Muertos celebration on November 1, just ahead of a concert to be directed by my music prof friend Andre Garcia-Nuthmann. Of course, Mictlantecuhtli, Lord of the Land of the Dead, will be featured, as will Tepeyollotl, Heart of the Mountain, who guards the entrance to Mictlan.  That dire place is always shown as the mouth of the monstrous, hermaphroditic Lord of the Earth, Tlaltecuhtli:

Entrance to Mictlan

Meanwhile efforts continue to line up more venues for the show, including other educational institutions around New Mexico. If anybody out there has hot ideas for presenters anywhere else, sic them on me!  I’ve been trying to interest places in surrounding states but so far have struck out.  (Read that as:  My approaches have been roundly ignored.)  I’d really love to hang the show at Mexico City’s National Museum of Anthropology, but I expect the materials should be translated into Spanish, actually not such a bad idea…

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Jaguar of the Night

I really must devote a word or two to a favorite detail from my Aztec Icon #17, Tepeyollotl—just in case it slipped your notice. It’s my rendition of the Jaguar of the Night, one of the various manifestations of the Heart of the Mountain.  The divine Jaguar leaps at the rising sun, greeting it with its roars (those odd wavy sound symbols).

Jaguar of the Night

                             From Icon #17                                          Model from Codex Nuttall

One reason I’m showing you this drawing is to sing the praises of my sweet graphics program, GIMP.  (You can Google it for free download!)  It really makes me feel like a magician.  I took the splendid image of a jaguar from Codex Nuttall and with a few adjustments in proportions and position turned the rampant figure into a leaping one.  Of course there were many pixels to wrestle with, but that’s the name of the digital drawing game.

Also: I’m quite pleased with this drawing of my totem animal and rather proud of it.  Hope you like it too.

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The Divine Volcanoes Popocatepetl and Itzaccihuatl

For too long I’ve telling folks I’m still plugging away on Icon #17 for the YE GODS! coloring book, and now I can change my tune. At last I’m on the home stretch!  Just one more vignette and the figure of Tepeyollotl Himself, the Heart of the Mountain.  (I seem to have been keeping the deity itself for the last to be informed by the story of the surrounding details.)

So now it’s high time I give you something in the way of a sneak preview of #17: the Mountain.  Actually it’s the two divine volcanoes that loom dangerously over Ciudad de México, deified as Popocatepetl (Smoking Mountain) and Itzaccihuatl (Obsidian Lady).

Popocatepetl and Itzaccihuatl

Here they are shown in the style of Codex Nuttall, Popocatepetl in its smoking majesty and Itzaccihuatl as a bonafide, stern-visaged goddess. Her codex model is iconographically notable being one of the few full-faced figures to be found in Aztec 2-D graphic art.  The Maya also preferred profiles (those marvelous foreheads!).  3-D sculpture was of course a different story.

The stylized sigils appearing in each of the “hills” are authentic names of real places. Apart from the self-evident symbol for Popocatepetl, I don’t have a clue what places the others intend.

The above is my second treatment of the divine volcanoes. The first was for a vignette in Icon #7 Huitzilopochtli, Hummingbird of the South, showing the arrival of the Aztecs at Tenochtitlan:

Arrival of Aztecs at Tenochtitlan

In the upcoming icon, beneath these volcanoes resides the Heart of the Mountain. Don’t let this be a spoiler, but you need to know that Tepeyollotl, as most often depicted in the Aztec codices, will be a were-jaguar, an ancient mythological being with possible roots three thousand years before in Peru.  Check out this boggling image of the Raimondi Stela from Chavín de Huantar.

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